Spiders Really Do Live Under Toilet Seats

If you’ve ever heard anything about Australia it may be that you’ve been told to look under the toilet seat for Redback spiders before stealing some uninterrupted time in the quietest and darkest room of the house - the Aussie outback toilet. Australia is home to some of the most-deadly insects and arachnids in the world - all of which, despite their fearsome reputation, are extremely photographic.

Macro photography is generally recognized as the art of capturing images of small objects at a scale larger than life. Insects and spiders fit perfectly into the serious macro photographer’s psyche as they pose in unpredictable positions and are always on the move. Depending on the insect - this can make it extremely difficult to capture them clearly-enough for the photograph to be of high-enough quality for presentation value.

The Australian Redback spider is a very timid creature. It lives in warm dark places such as wood piles, under the eaves of homes, along timber fences and yes - even under the famed outback Aussie toilet seat! They’ve even started to make their presence known in the steel cities of Japan - courtesy of shipments of Australian iron ore.

Finding a Redback can sometimes be the easy part of the shoot - they’re everywhere in summer. Getting the little creature to keep still and pose in the right position and light can be the difficult part.

Shooting macro photography images usually means getting as close as only a couple of inches away from the subject. This can sometimes be a disturbing experience when photographing the Redback. They’re mostly shy and sometimes move fast.

I’ve never read anywhere that Redback spiders can jump; however I’ve had a couple of experiences where I’ve witnessed this. It’s usually the smaller ones that will leap from the leaf of a shrub and swing on a fine thread to the ground in an attempt to escape. So when you’ve spent the last five minutes setting up the shot only to see the highly magnified spider disappear from the eyepiece of the camera in an instant - you’ll find yourself spending the next fifteen minutes looking for the damn thing up the leg of your trousers!

The silky smooth blackness of the Redback in sunlight lends itself to a set of gleaming macro photographs you’ll be proud to show to your friends.

If you go searching for a Redback to photograph, be warned; around 200 Australians are bitten each year!

Phill Petrovic is the owner of Photo Shop Australia at: http://www.PhotoShopAustralia.com/

Photo Shop Australia provides unique and amazing Australian nature photography including macro, infrared and landscape images of Australia. Photo Shop Australia also has a page of totally royalty free images available for free download for businesses and personal users.

Making Money With Digital Photography And Live Events

A few years ago I became interested in digital photography, mainly for web publishing and
personal reasons. You know, how nice is it now to NOT have to deal with film, scanning
pictures, and the costs of developing all of those “not great” photos that you didn’t know were so
bad until you paid to have them developed!

So, at the time I got my first digital camera a friend of mine was playing in a rock band, and
needed pictures for their web pages and promotional printings and ads. When I first began to
do their photography, I had NO IDEA what it all would lead to… and now I will reveal to you some
of the MANY ways to make money, part-time, with your love for photography!

Now, at the clubs my friend’s band played in- a lot of the time they would be in a line-up of 3
bands for the evening, of which I shot live pictures of my friend’s band’s performance. Then I got
another idea, I’m there already, usually to finish the night with the band, so I started to take
pictures of the other bands. Afterwards, as they were breaking down their equipment, I
introduced myself as the other bands photographer, and explained that I liked their music and
look- and also took pictures of them also.

I got the names of the band members, jotted down notes about which instruments each one
played, and then got a mailing address to reach them. I told them that I was going to print up
some proof sheets and send them off to them… all were very agreeable and willing (and why
not, it doesn’t cost them a thing).

Then I printed the proof sheet(s), and selected three of what I thought were the best- of which I
made a little bigger on a seperate sheet and used Photoshop to refine and enhance the images
prior to printing (all on my little ink-jet printer).

I composed a form letter that I could customize for each mailing explaining details like:

- The first proof sheet was all of the raw digital images

- The second one with the larger images was digitally self enhanced

- I would professionally print any pictures they wanted for XXX cost (considering mailing costs,
printing costs at a local printing shop, labor for digital enhancement, and healthy profit margin)

- For any order I would give them a CD with ALL of the photos in digital form for them to use any
way they wanted

- Add my contact information

- And finally my availability to book shootings with them in the future

Now I could personalize this form letter and send it with the proof sheets to the band, and
when I would call them about a 8 days after I made the mailing to ask them if they recieved
the proof sheets and which ones they liked (and I liked)- and I simply asked for an order.

It was amazing how well this worked, and I expanded the idea.

I would go to fund-raising events, marathons, special events hosted by radio station
personalities… always getting the contact information for reaching whoever is in charge of
promotions and following the same system!

As you go along, you realize some other benefits to you new “business”- like free
admissions (and no club cover charges), press passes, exciting opportunities to meet
interesting people and celebrities, discount drinks, and much more! It’s amazing what people
will GIVE you, if you just ask!

Then there are the home-business tax deductions that are eye-opening in themselves!

As soon as you can, upgrade to more professional equipment so you can not only “play”
the part, but also “look” the part. Print up business cards, and make up your own porfolio of
your “best” digitally enhanced photos of all kinds of subjects and previous shootings.

Seriously, this could turn your love for digital photography into an exciting lifestyle and an
income that could surpass your present one!

But then again, I know I have only just scratched the surface with professional digital
photography, and I’m sure you now have just entered a “think-tank” that will spur many more
ideas for you to make digital photography more than just a love. Make it a great life!

Richard Meredith is the Author of
“The BLACK BOOK of Online Business” -
An amazing FREE SOURCE ebook for the online business person!

http://www.straight-talkmarketing.com

Feel free to distribute or publish this article conditional only by including the by-line intact.

Your Photos Should Have a Theme

Stick To Your Theme

“I think I’ll choose a Pepsi,” the lady says in front of the vending machine.

Out comes the soft drink can of her choice.

She makes a choice based on preference (or need) and makes payment for it. Vertical marketing works much in the same way. If you were to open the interior of the machine, you would find that the soft drink cans are all lined up in a vertical row. All soft drinks of one selection are slotted into one vertical column, ready for dispensing.

There’s no crossover. The cans must be lined up in the same dispensing vertical row, or they will deliver a wrong selection to the customer.

If you were the serviceman and haphazardly placed the cans in the machine in random positions, the results would be chaotic and unsatisfactory to customers.

NO CENTRAL THEME

Most beginning stock photographers make the mistake of building a stock file in random fashion, with no focussed marketing themes. Their picture-taking choices are “all across the board.”

Because any one photobuyer’s publication appeals to a vertical market (gardeners, pilots, medical technicians, teachers, etc.) photobuyers turn to vendors who can supply them pictures within those specialty areas. They can’t afford to waste time on a vendor who does not offer an extensive selection of the product in the vertical market they need.

NO TEARS MARKETING

If the customer at the vending machine is served up a soft drink that doesn’t fit their choice, they become irritated and pound on the machine and demand a return of their money. “This is not what I wanted!”

The soft drink they received may be of excellent taste and quality, but it doesn’t match their needs. This realization may help to assuage your disappointment when a photobuyer rejects your submission of excellent pictures. The pictures may be of high quality, but you are vending them to the wrong buyer.

Stay within the vertical markets that you enjoy photographing in, and match with markets who need photos in those subject areas. At this moment, buyers are searching for you. Don’t waste film or time on picture-taking that doesn’t fit into your vertical market areas.

Rohn Engh is director of PhotoSource International and publisher of PhotoStockNotes. Pine Lake Farm, 1910 35th Road, Osceola, WI 54020 USA. 1 800 624 0266; Fax: 1 715 248 7394. http://www.photosource.com

Digital Cameras - Quality vs Size

When looking to purchase a new digital camera there is always the debate between size and quality within the range of your budget. No matter what the budget, the choice will have to be made between a smaller size, more portable camera and a higher resolution camera with more features. Making the choice between the two is simply a matter off considering what the camera’s purpose.

Digital camera users who plan to use a camera for simple point-and-shoot purposes will want to focus their budget on a small, portable camera. These individuals are most likely using their camera to document travels, family events, and personal experiences for their own memory. The photos don’t need to be or a super high resolution because they will not be blown up to poster size, but will remain 4 x 6 or 5 x 7 in a frame on the mantel. It is important to consider that when size is traded for quality, while the photos will be higher quality, users may be less inclined to take photos as the size of the camera becomes a hindrance to taking it along for the fun.

Photographers who are more interested in the end product will want to sacrifice size for a higher resolution camera or one with more features and/or accessories. The bulkier high-resolution cameras or digital SLRs will be the better choice for users who are taking artistic or professional photographs. Even the amateur artist, will want to invest in quality over size to produce the kind of photos that can be enlarged to show detail. Cameras used for professional shots, whether to be displayed in a portfolio, brochure or website, will also need to be of higher quality, and it will be worth hefting the extra weight to get the higher-end photos.

Knowing the type of photographer you are, will help you make the right choice in cameras. When you have an idea of what characteristics are most important to you, take the time to shop, read the reviews, and compare the various cameras in your price range.

Sara Wells is a successful writer for CameraPieces.com. She provides information and details on cameras and accessories on her website.

The Popularity of Photo Purses

Today’s technology is at a point where we can do just about anything with a traditional photograph. In addition to traditional slideshows and photo albums it is now possible to create personalized home décor items and clothing. Photo blankets and photo pillows are the most commonly purchased photo items, but did you know that it is even possible to have a photo constructed onto a purse?

A photo purse is made in the same way that photo pillows and blankets are. To have a photo purse made an individual must first find a person or a company who specializes in making them. Once a company or individual has been found the hard part comes next. The hardest part of ordering a photo purse is selecting the style of the purse and the photograph that you want to use. The best way to customize a photo purse is to first find out what is possible.

If you selected an individual or a company to make your photo purse online it is likely that they have a website. This website should provide valuable information on the selection and styles of purses that are available for purchase. All companies are likely to offer different products; however, there is usually a wide selection of purse styles and sizes available. It is not uncommon to find small, medium, and large size purses that are able to have a photo constructed on them. These purses, no matter what their size, are almost always included in the cost of a photo purse. Once you play your photo purse order it is likely that it will take a few weeks or even a month for the finished product to arrive.

Once your photo purse arrives it is likely that you will see right away why photo purses are so popular. There are a wide variety of different women who order and use a photo purse. Women of all ages are amazed with the quality of a finished photo purse. That is another one of the reasons why photo purses are so popular. If they are properly made a photo purse can look absolutely amazing.

Each individual is likely to have their own reason for owning a photo purse. One of the most common reasons is because it allows an individual to always feel close and connected to their friends or their family. It is not uncommon for a mother to have a family photo purse or a teenager to have one with her and her friends on it. The possibilities of a photo purse are endless. With money and your favorite photograph it is amazing what a purse can turn into.

Joel Preston is a writer for Photo Blanket Gifts where you can find
more information about photo purses and other personalized photo gifts.

Experiment Yourself

I was reading the other day about making silhouettes. It reminded me of a time several years ago when I read a similar article and thought I would give the technique a go. It seemed so easy.

So there I was, following instructions. My subject, my son, was standing against a light background, the sky. Expose for the sky and there you have it.

Except it never turned out the way I wanted. In those days, it was film, not digital and I had to wait several days for my photos to come back from processing.

There was no silhouette. The features in my son’s body were still clearly visible. They were darker but still there. It all looked a bit muddy and, quite frankly, rubbish.

So out I went again and changed my camera settings a bit. Waited another several days and the same problem. It took me a while to get things right.

What is the point of all this? Well, I learned that things are not always as easy as they might appear on paper (or on your computer screen). That is not to say that photographic techniques of this type are hard, they are not. But you need to take a number of variable factors into account when taking images - your equipment, the time of day, the light sources, the subject and so on.

The great thing with digital cameras is that you CAN experiment and change settings. You can see the results straight away. Your best pictures may come from settings and techniques that YOU choose rather than some dictat from others. It doesn’t matter. Just get that satisfying picture.

Eric Hartwell runs the photography resource site http://www.theshutter.co.uk and the associated discussion forums as well as the regular weblog at http://thephotographysite.blogspot.com

History of the Camera

Early cameras of the 16th and 17th century were able to project images onto paper or glass but the study of capturing, processing and printing the images took many more years. Up until the 17th century, scientists believed that light was composed basically of the ‘white’ that is perceived by the human eye. It took the research done by famous physicist Isaac Newton to discover that light is actually composed of a spectrum of colors. While he made a big contribution to the study of optics (that is at the core of camera advances) with this discovery, Newton did not actually have anything to do with camera development per se.

The early camera that first became a phenomenon was a little more than a pinhole camera and can be traced back to 1558. It was called the Camera Obscura. The Camera Obscura was seen as a drawing tool for a clearer and realistic portrayal of objects. It was in the early 19th century that an invention named the Camera Lucida was introduced by Cambridge scientist William Hyde Wollaston that consisted of an optical device that could help an artist view a distant scene or person or object on a paper surface that he or she was using to draw. In other words the artist gets to view a superimposed image of a subject on paper and this image could be effectively used to attempt to draw, trace or paint it. Both the Camera Obscura and the Camera Lucida provided an image that was temporary, which could not be lastingly captured on to paper for later reference.

Studies however continued well into the 1800’s on how to actually capture the image onto material. It was during this time, around 1822 that French researcher Joseph Nicephore Niepce, created the first photograph by using paper that was coated with a chemical. The image would not stay permanently on the paper and would disappear after a short while. Even so, despite the short-lived nature of the image, the concept of photography was born with this experiment and paved the way for further study and development in this field.

Capturing images to retain them longer and permanently became the next big quest for researchers. Another Frenchman Louis-Jacques-Mandé Daguerre partnered with Joseph Nicéphore Niépce in 1829, to develop the process of creating permanent photographs. Joseph Niépce died in 1833 but Daguerre continued with the work and succeeded in 1837 after many long years of experimentation. The process of capturing photographic images that would not fade away, introduced by Daguerre came to be known as the ‘daguerreotype’.

The word ‘photography’ was coined by scientist Sir John F.W. Herschel in 1839 and it is actually is derived from two Greek words ‘photos’ meaning light and ‘graphein’ meaning draw.

A slightly more advanced version of the daguerreotype called the Calotype process that makes multiple copies possible using the negative and positive method became available very soon after. In fact, it was during the 1840’s that the use of photographic images in advertisements first started and cameras made their mark on the power of visual communication. It was not much later, in the 1850’s that photographers first started experimenting with underwater photography of seascapes.

Up until 1850, the process of capturing images was cumbersome requiring upto half an hour of light exposure. The discovery made in 1851 by Frederick Scott Archer was a blessing since the new method termed the Collodion process called for just 2-3 seconds of light exposure to capture an image.

Prior to 1871, photographers went through a development process where they had to coat the plate with wet chemical each and every time and process the image immediately. With the invention the gelatin dry plate silver bromide process by Richard Leach Maddox, negatives did not have to be developed immediately. This was an important discovery since up until then the captured image had to be processed instantly.

Kodak created in 1888 by George Eastman has been a modern day pioneer of sorts in cameras and photography for the masses. George Eastman and the scientists who worked with him at Kodak developed the photographic film in 1889 and made it available in rolls for the mass use of consumers. An important milestone in our entertainment and communication history was the development of transparent roll film by Eastman. This development led to another key invention - the motion picture camera by Thomas Edison’s in 1891.

–>Modern Times

During the 20th century the pace of technology development in cameras and photography continued at an accelerated pace much like many other key technology developments. While several key inventions like car, telephone and the gramophone record happened in the later half of the 19th century, it is the last 100 years that saw major developmental work in many areas of communications technology and as well as in other fields - TV, aircrafts, PCs, digital technology, digital cameras, mobile phones, fax machines and the internet, to name a few.

In the case of the camera, the developments simplified the whole process of photography, making it accessible to one and all at affordable prices and the camera industry denizens of our times made it into a mass phenomenon. The first mass use camera became available at the turn of the 20th century and can be traced back to the year 1900. There are hundreds of models of cameras available today both for the amateur as well as the professional and the camera is an important part of any family’s repertoire of must have gadgets.

–>20th century chronology in the history of the camera:

1913: 35 mm still-camera created

1927: The flash bulb introduced by General Electric Co. (The concept of camera flash existed much before but was based on the use of a flash light powder that was invented by German researchers)

1935- 1941: Kodak starts marketing Kodachrome film and subsequently launches Kodacolor negative film. Canon released the Hansa Canon in 1936, the first 35mm focal-plane shutter camera.

1948: The concept of the Polaroid camera is introduced in the market. American scientist Edwin Land developed the process for instant photography. Later Polaroid Corporation developed the ‘instant color’ film around 1963.

1957: Frenchman Jaques Yves Cousteau invented the first waterproof 35mm camera for underwater photography named the Calypso Phot. The actual camera was developed by the Belgian airplane technical designer Jean de Wouters based on the blueprint and suggestions given to him by Cousteau.

1972: The electronic camera that does not require film was created and patented by Texas Instruments. This is however not the same as a digital camera though you don’t require film in digital cameras as well. The launch of the digital camera is still many years away.

1975: Kodak’s experiments with digital imaging kicked off around the mid seventies but it will take another 20 years before a digital camera for the home consumer market is launched.

1978 - 1980: Asian players like Konica and Sony begin to make their mark. The ‘point and shoot’ automatic focus camera is launched by Konica while Sony starts talking about the camcorder and demonstrates a prototype.

1981: Sony launches a commercially available electronic still camera. Similar to the 1972 invention by Texas Instruments, the Sony electronic camera came with a mini disc on which images were recorded and stored. The recorded images could be later printed or viewed on a monitor using a reader device.

1985: Digital processing technology makes its entry. Digital imaging and processing is introduced by Pixar.

1986: The camera industry becomes even more consumer focused and taps the fun and travel connotations behind camera usage, with the launch of the concept of the disposable single use cameras. Fuji is credited with the development of this concept.

Also in 1986 - 1987, Kodak started taking giant strides in digital development. Digital means, the photographic image is divided into tiny units of dots or squares known as pixels. Pixels are the programmable units of an image that can be processed by computers. Each image could be made up of millions of pixels. The use of pixels in digital technology allows storing large volumes of pixels to deliver high definition print quality.

1990: Kodak introduces Photo CD’s. It is a system of storing photographic images on CD and then viewing them on a computer. With this development the user-friendly approach of the camera industry began to take concrete shape.

1991: Kodak introduces a digital camera targeted at professionals and journalists. Kodak is credited with the invention of a pixel based camera technology known to us as the digital camera. Digital cameras don’t use film similar to their predecessor electronic cameras but the storage method is entirely different and the final photograph is of much higher resolution. In a digital camera photos are recorded and stored in digital form. This digital data can be transferred to a computer and processed for printing. Kodak and Canon are well known digital camera manufacturers and there are also several other key brands as well.

1994: The Apple QuickTake camera, a home use digital camera is launched. This is followed by the launch of a clutch of home use digital cameras by Casio, Kodak and others in quick succession during 1995 -’96.

–>The digital era:

The development of digital camera technology is considered to be linked to the development of TV and Video technology. The principles of transmission and recording of audio-visual images using digital electrical impulses finds use in camera imaging as well.

Through the 1990’s the developments continued in camera technology, the focus now shifting to the field of digital imaging which is where the future lies. Use-friendly features like software that can download digital images directly from camera onto home computers for storing and sharing on the internet is the new norm in the market place.

The camera, the computer, the software industry and the worldwide web are today irrevocably interlinked to empower the user in experiencing the benefits of camera usage to full potential. The innovation that sparked many an invention in the camera industry found its way into the digital world as well and continued among digital camera manufacturers. During 2001, the Kodak and Microsoft partnership ensured that digital camera manufacturers could use the power of Picture Transfer Protocol (PTP) standard through Windows. The digital photo experience is a key visual driver in the Internet era. Many of Kodak digital camera models with EasyShare capabilities are compatible with Windows XP. The Kodak EasyShare software enables users to transfer digital camera pictures directly from camera to their computers and then print the pictures or even email them.

Manufacturers in a related industry like the printing industry have adapted their products to be in sync with the images created by digital cameras. Cell phone manufacturers have tied up with digital camera manufacturers to develop new age camera phones in recent years. These camera phones can capture images and share the images through the cell phone.

Among the 21st century digital developments are the advanced product offerings from digital cameras manufacturers and these are sure to occupy an important place in the ensuing history of camera development. For instance, the Kodak Professional DCS Pro SLR/c is a high-end digital camera and the Kodak website calls the DCS Pro SLR models the most feature-rich digital cameras on the market. It has an image sensor that can handle 13.89 million pixels and this makes it the highest resolution digital camera available. High resolution determines the sharpness or level of detail in photographic images. This is just a glimpse of the capabilities that digital technology places in a user’s hands. Digital camera sales figures for 2003 show that the two key players Kodak and Canon have recorded impressive growth.

–>What does the future holds for camera users?

The features offered by digital cameras can be quite mind-boggling for the average user and pretty exciting for most pros. Four key ongoing camera developments that are likely to further improve the process of photography:

1. Greater resolution from even the simplest, low cost camera models

2. Usage in any type of lighting conditions,

3. Compatibility across a range of software, hardware and image types

4. Rich colors and tone

While the higher-end digital evolution continues, the prices of the simple camera have crashed to such an extent that even children and teens are proud owners of uncomplicated cameras. The camera and photography interest starts young and this creates a truly large audience base for the camera industry.

And throughout history, it is evident that the endeavor of researchers and developers has been to make the camera available to a wide section of society. Without camera technology and photography, the other key developments of cinema and TV would have been delayed and what a boring place the world would have been without TV and films!!

The author, Chris Haslego, is founder of http://www.cameramanualstore.com, the internet’s foremost source of camera manuals. With over 4000+ camera manuals available from all major manufacturers.

How Many Megapixels Do We Need?

Are you having megapixel envy each time you walk by the camera section of your favorite electronics store? So do I. But, do we really need more and more pixels? The answer depends on what we intend to do with the images.
First, a quick definition of megapixel:

Megapixel is a technical term for “million pixels”, where a single pixel is the smallest unit of color that a camera’s sensor is able to capture. The more pixels in the sensor, the sharper the image a camera can reproduce. Note that some camera specifications abbreviate megapixel as “MP”.

Determine Image Use

Now then, how many of those pixels do we need? The first task in answering this question is to determine how we intend to use the images. We are mainly concerned about uses that require a high resolution digital photo. Putting a photo on the computer’s screen requires a low resolution image, so any camera is sufficient, if this is our only intention.
The most common need for high resolution photos is to print or develop pictures. Let us then focus on putting pictures on paper to answer our megapixel question.

Determine Largest Print Size

The second task is to determine the largest print size we would like of our photo. Sure, it would look cool to have poster-size images all over the house of our sweetheart, but are we really going to go through that expense? I assume for most of us, poster size prints fall into the “rarely or never” category.
Having ruled out extreme sizes, we have the three most common photo sizes to consider. According to online photo labs, the following minimum resolutions are sufficient to produce high quality prints:

  • 4 x 6″: 640 x 480 pixels (0.3 megapixels)
  • 5 x 7″: 1024 x 768 pixels (0.8 megapixels)
  • 8 x 10″: 1536 x 1024 pixels (1.6 megapixels)

I know from personal experience that my 3 megapixel camera is as low as I want to go for an 8 x 10″ print; any less would start showing pixilation at close examination. Based on this experience, I suggest doubling the above megapixel recommendations when buying a camera.
This exercise has taught us that if we only want 4 x 6″ prints, then 0.6 megapixels are sufficient. Most digital cameras start at 2 megapixels, which is sufficient to produce quality prints up to 5 x 7″.

Focus On Other Camera Features

Now that we know the minimum megapixel requirements for our needs, we are free to focus on other important features of the camera such as lens quality, color reproduction, optical zoom, body size, etc.

ABOUT THE AUTHOR
Charles Kerekes is an amateur photographer and maintains the Flying Sam Digital Photo Guide (http://FlyingSamPhoto.com) web site to help others find fun and unique digital photo finishing products and services.

Ten Tips to Improve Your Photography

1. Selection

Select only the best of your pictures to show to others and leave the rest in the drawer. Showing someone every picture you have taken dilutes the effect of the best pictures and gets very boring. You may want to show twenty pictures of little Johnny at the park because they are all quite good and you can’t decide which are the best but, trust me, you will be better off making that decision and showing only the few good ones.

2. Turn the Camera on its Side

At first it feels awkward holding the camera on it’s side, but it is worth getting used to. If the shape of your subject, a person or a building, fits into an upright rectangle, you waste so much picture space if you shoot in landscape. You paid for all those millions of pixels, don’t waste them.

3. Framing

One of the easiest ways to improve your photography is with careful attention to framing. Look into the corners of the viewfinder to see what is there. Do you need all that background? Can you get closer to your subject or zoom in?

4. Direction of Lighting

Photography is all about light, the direction of the light falling on your subject is most important, you must look at your subject carefully and see how the shadows fall.

If you are able to choose the time of day to shoot your pictures, try to pick a time when the sun is low in the sky, either shoot in the early morning or late afternoon. Shooting pictures of people with the sun too high in the sky, tends to mean the subject’s eyes will be in shadow and/or your subject will be squinting in the strong light, both of which tend to look horrible. A nice side effect of shooting in the early morning or late afternoon is that the colour of the light is ‘warmer’, reds and yellows are stronger which generally gives a more pleasing effect.

If you are photographing in sunlight, try to position yourself so that the sun hits your subject from the side, this will give you nice ‘modelling’ and help create a 3D effect in the picture.

Sunlight behind the subject can give a very pleasing ‘backlight’ effect but be careful that you are not getting ‘flare’ in the lens, which degrades the contrast of the image.

5. Direction of Lighting (2)

The very worst kind of lighting is provided by the little flash fitted into all modern cameras. Not only does it give your subjects the dreaded red eyes, but also flattens all faces into shadowless featureless blobs. Use the in camera flashlight only in an emergency, when there is no other choice.

6. In Camera Flash

When you have to use the in camera flash, keep your subject(s) away from walls, especially light coloured ones, if at all possible, and avoid that ugly black shadow which looks like an outline. This will not show up against a dark background.

7. Exposure - Using auto exposure to your advantage.

If you have a modern camera, the chances are that the default metering system is ‘centre weighted average’, which means that, although it takes an average reading of the whole scene, it takes more notice of what is in the middle of the frame. Which is good news for us. The other good news is that it takes this reading at the time when you take ‘first pressure’ on the button to take your picture. When you push it halfway down and it beeps at you, not only is the focus now set (on an auto focus camera) but the exposure reading is taken and the aperture and shutter speed are set. So, if your main point of interest is not in the centre of the frame, it’s a good idea to put it there temporarily while you focus and take your light reading, then move the camera whilst still holding the button halfway down and compose the picture the way you want it to be. A common use for this technique is when you are taking a close up shot of two people and there is space between their heads, if you’re not careful the camera will focus on the wall or trees behind them. If the background is very dark or very light this can alter the exposure significantly and result in faces that are too dark or too light.

8. Shutter Speeds

When the shutter speed is important as with moving objects, it’s a good idea to set the camera to ‘Shutter Speed Priority’ mode. This is where you select the shutter speed and the camera selects the appropriate aperture according to the light reading.

9. Apertures

If depth of field is important to either make sure everything is in focus or to throw some things out of focus, select the ‘Aperture Priority’ mode on your camera. In this mode you select the aperture and the camera selects the shutter speed according to the available light.

10. Neutral Density Filters

If you are shooting in bright light and want to restrict the depth of field, use a neutral density filter in front of the lens to reduce the light entering the lens. These are available in different densities, 2x, 4x, 8x etc. each one cutting the light in half, quarter, eighth etc. In extreme circumstances you can screw a couple of them together. Although they are ‘neutral density’ filters and should not effect the colour balance, if you use two or more together you might need a little colour correction at the printing stage.

Geoff Lawrence has been a professional photographer for many years and now hosts a website http://www.geofflawrence.com offering advice people who want to improve their photography.